In the summer of 1977 (I think) I had a contract to sing Count Almaviva in Rossini’s Il Barbiere di Siviglia for PACT, The Performing Arts Council of Transvaal. (This picture is one of the designs for my costume.) The rehearsals were to take place in Pretoria, followed by six performances and then on to Johannesburg for a further six. I would be away from home for three months.The director of the show, Peter Ebert, was English and was a neighbour of mine in Chailey, Sussex. He was the son of Carl Ebert, one of the founders (together with John Christie and Fritz Busch) of the Glyndebourne Festival Opera. A close friend of mine, the bass Paul Hudson, was also on the team in the role of Basilio.